Bill Hart was born and raised in Canada; he began playing guitar at the young age of nine years old. Hart immediately felt drawn to the instrument and would find every opportunity to covertly rendezvous with his guitar. A lifelong connection was formed.

Hart started taking lessons when he was thirteen. Initially, he played rock, influenced by the diverse guitar styles of Jimi Hendrix, David Gilmour of Pink Floyd, and Led Zeppelin's Jimmy Page. One day, in a music store, he saw a jazz musician playing a guitar and doing the most incredible things. Bill wanted to know how the guitarist played that amazing music. Thirty years later, Hart modestly says he is still trying to figure it out. Nowadays, Hart is the one playing the amazing music, while always keeping it accessible to one and all.

Hart's early training was fairly non-traditional. As a teenager, he spent time playing in theater's performing “The Rocky Horror Picture Show” and “Little Shop of Horrors”, where he was the designated musician, providing live music for the shows. Fascinated by the mathematical precision of music, Bill attended the Guitar Institute of Technology in Hollywood, California, graduating with honors.  Bill has studied under master guitarists Mike Stern, Steve Khan, Wayne Krantz and Scott Henderson. Bill's true joy comes from playing his original compositions.  Bill Hart has opened for jazz greats such as Herbie Hancock, Marcus Miller, Lou Rawls, Yellow Jackets, Acoustic Alchemy, Joey Defrancesco, Norman Brown, Rippingtons and Mike Stern.  

Hart has been the head of the guitar program at the Atlanta Institute of Music for fifteen years, teaching and mentoring over 1800 students. He has participated in numerous music clinics with seminar partners such as Scott Ambush and Joel Rosenblatt (Spyro Gyra), Mike Stern (Miles Davis Band), Adam Nitti (Steven Curtis Chapman), Shane Theriot (Neville Brothers) and Jimmy Herring (The Grateful Dead).

Bill Hart is a master guitarist and composer. Expertly played by extraordinary musicians, each performance on his latest CD, Subject to Change is a textural journey of colors through rhythmic complexities and expressive compositions, truly an experience in musical communication from the soul. It's a treat for any true connoisseur of music.

Check out HERE!!!

This time out, Hart again collaborates with long time friend and teacher Mike Stern (guitar) along with, Enrico Galetta (bass), Gary Wilkins (bass), Charles Marvray (drums), Tom Knight (drums), Jef Ven Veen (drums), Ahsa Ahla (percussion). This stellar offering aptly combines the jazz, blues, funk, rock and groove aspects that are prominent in Hart's style. The result is groovin', high-voltage performances offered in a virtually nonstop stream of burning ideas and well-crafted compositions.  This is state-of-the-art electric jazz.